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Yesterday, 12:15

A man with multiple personalities abducts three teenage girls and subjects them to a gruesome fate – they are going to be acted at beyond endurance

ZOE PASKETT talks to the creators of a new series, My America, exploring conversations in the back of an Uber in the run up to the US election

Stone and Gosling steal the show with strong screen presence in a film that’s too much fun to win an Oscar

The latest film on Martin Scorsese’s directorial list, starring Liam Neeson, Andrew Garfield and Adam Driver, lacks the energy and invention of his previous works

Rogue One is something very familiar that has been given a whole new dimension

Joseph Gordon-Levitt and Rhys Ifans give convincing portrayals in Oliver Stone’s straightforward drama

The new film, conceived by comedian Kojo, follows three friends as they set out on a spending spree, only to find out the gangster who owns the money is less than pleased.

Clint Eastwood finds something unique in the true story of the pilot who landed a plane on the Hudson river

David Oyelowo and Rosamund Pike star in the true story-telling of Seretse Kwama and his wife Ruth as they battle against apartheid

Spy movie set between Moroccan city of Casablanca and Highgate gets a carpeting for its fake set and script

Each year the Global Slavery Index releases the number of people living in modern slavery around the world. In 2016, an estimated 11,700 people live in slavery in the UK alone. Panic highlights this crisis on our doorstep

It is all you enjoyed in the Harry Potter films, but faster and funnier and with action set pieces a little more animated than extended stick pointing, but without so much of the talky bits.

This adaptation of Philip Roth’s novel is filmed like a play, sucking out much of the dramatic impetus

The film suggests it might have been a good read, but when the events are simply laid out in front of you like this, there’s little chance of replicating what was compelling about these characters and situations in Roth’s novel.

There were eight million stories in the Naked City, but these 100 streets don’t seem to have one decent tale between them.

Arrival is definitely more upbeat and hopeful than Villeneuve’s previous films and even has a few chuckles, but remains comparatively high minded. It is hard sci-fi with a human face.

This is one of those films where you start out wondering how it is all going to eventually work out, and gradually begin to dread the explanation because you know it is going to be foolish.

The Light Between Oceans is like The Shining recast as an epic, historical, melodromantic tearjerker.

This is an inspiring film about second chances, the human spirit and triumphing over adversity that is a depressing assertion of just how callous and random human existence is.

Doctor Strange is the tale of a brilliant neurosurgeon who can no longer work after a serious car crash and ends up in Nepal learning magic and dimension spanning powers from someone called The Ancient One.

Ken Loach’s new Cannes favourite tells the story of a man trapped in a system that refuses to serve him

Lupita Nyong’o, David Oyelowo and newcomer Madina Nalwanga star in this true tale of a young girl with a talent for chess

It’s a quirk of our society that having and raising children is a revered, celebrated activity, but that society no longer has any use for children who are childish.

Tom Hanks and Felicity Jones star in this adaptation of Dan Brown’s third novel in the series, but it’s no improvement on the previous films or books

Shia LaBeouf stars in a film about the vast open spaces of America shot in the boxy 4:3 ratio. There’s nothing straightforward here.

Blood Father is short but fearsome; much like its leading man. At the start of the film a bearded, ex-con Mel Gibson grumpily tells his support group he has been clean and sober for two years

Jamie McClean and Paul van Carter’s new documentary delves into the life of an infamous boxer, brutal bouncer, talented actor and loving family man

Plot contrivances, incredible characters and distracting time shifts abound in this tedious adaptation

Under the Shadow, a ghostly chiller set during the Iran/ Iraq War, is one of the most unusual movies you’ll see all year

All explosions and buckling metal, this “true story of real life heroes” conveys terrifying sense of confusion of BP oil rig disaster

Gemma Arterton and Glenn Close star in zombie apocalypse movie that grabs you from the very first moment

The latest cowboy flick stays true to the spirit of the original, with most of the new Seven matching up

This New Zealand man hunt in the forest is like a less fiddly Wes Anderson movie – quirky certainly but never precious and very funny.

New film A Street Cat Named Bob tells of a bond between man and cat formed in tough times and has been filmed in Islington

The third instalment of Bridget’s saga is a return to form, despite a contrived plot and no Daniel Cleaver

The cast is good and the visuals are competent but Ben-Hur fails to find a reason to justify its existence

Things To Come stars acting institution Isabelle Huppert but it lacks deeper meaning

Pedro Almodovar returns to the screen in Julieta, based on short stories by Nobel prize winner Alice Munro.

Childhood of a Leader, starring Berenice Bejo, Robert Pattinson and Liam Cunningham, is not easy, but you rise to the challenge.

Ricky Gervais brings his infamous David Brent to the big screen in a film that shockingly works

Weiner Dog has a more than capable class, but won’t change the reputation of Todd Salanz

Two bad girls pretend to be good girls in Mike and Dave Need Wedding Dates to get a free holiday in Hawaii.

Slickly shot The Shallows has no feeling of jeopardy, lacking the rough and ready nature of quality horror

The flaws in Suicide Squad are all exactly as you’d fear them to be. Basically it’s too early to make this film, probably about a decade too early.

Directed by Naomi Kawase, Sweet Bean is classical Japanease cinema without the over dramatics

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