Review, The Claim, Shoreditch Town Hall
Black humour and menace offer shades of Pinter in a serious play which dramatises the plight of one asylum seeker navigating the Home Office’s hostile bureacracy
Black humour and menace offer shades of Pinter in a serious play which dramatises the plight of one asylum seeker navigating the Home Office’s hostile bureacracy
Black humour and menace offer shades of Pinter in a serious play which dramatises the plight of one asylum seeker navigating the Home Office’s hostile bureacracy
Black humour and menace offer shades of Pinter in a serious play which dramatises the plight of one asylum seeker navigating the Home Office’s hostile bureacracy
Julie Tsung’s intriguing set up playing on false memory and the supernatural is undermined by poor structure, inadequate design and a deflated ending
Julie Tsung’s intriguing set up playing on false memory and the supernatural is undermined by poor structure, inadequate design and a deflated ending
In any country, any city, any century, people can, and do, end up starving on the streets. Hunger is based on a semi-autobiographical novel written over 100 years ago by a Norwegian called Knut Hamsun.
In any country, any city, any century, people can, and do, end up starving on the streets. Hunger is based on a semi-autobiographical novel written over 100 years ago by a Norwegian called Knut Hamsun.
A fresh, hilarious and gender-blind modern take on Shakespeare’s classic comedy of love and trust
A fresh, hilarious and gender-blind modern take on Shakespeare’s classic comedy of love and trust
Jessica Lazar’s one-act piece plunges viewers in to a terrifying and beautiful world of night-time horrors and fairytale fiction.
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