Judith Abrahams

With a sensitive score, fantastic costumes and a splendid cast, Matthew Bourne’s The Red Shoes is a triumph of pure, unadulterated magic.

Carlos Acosta, 46, has retired from classical ballet but the former Royal Ballet star retains his devoted fans who want to glimpse (in Rooster) their hero before he takes over as director of Birmingham Royal Ballet in January 2020.

Welsh company Opera D’draig transposes Donizetti’s comic opera to 1980s Barry Island to beautiful bawdy and hilarious effect

Welsh company Opera D’draig transposes Donizetti’s comic opera to 1980s Barry Island to beautiful bawdy and hilarious effect

In these crazy, hazy days of September 2019 when life in our reliable parliamentary democracy has degenerated into a scenario that even the most fanciful writer couldn’t make up, then it’s time for entertainment.

Matthew Bourne is the master par excellence in the re-interpretation of classics... and who could guess how he would present Shakespeare’s Romeo and Juliet?

On March 26, Northern Ballet’s latest creation – Victoria – arrives at Sadler’s Wells. Directed and Choreographed by Cathy Marston, this latest creation focuses on the life of one of history’s most intriguing women. We spoke to Cathy ahead of the show’s five-day run in London.

Barry Humphries plays himself as the witty erudite host of the decadent entertainment of 1930s Berlin

Five star review for English National Ballet’s showcase of American dance

Five star review for English National Ballet’s showcase of American dance